10.22.2007

Music in Dramas

Similar to American dramas, popular music is often used in Japanese dramas, and the music often has a special link to the popular male drama actors: it is often them singing.

Johnny’s Entertainment is the powerhouse behind the popular music market in Japan. Started by Johnny Kitagawa in 1963, it has spent the last four decades churning out boyband after boyband after boyband. While it doesn’t work with female singers at all, the bands produced by Johnny’s consistently top the charts of single and album releases as well as musical DVD sales. It is very nearly impossible to step outside your house in Japan or watch more than a few minutes of T.V. without seeing one of the idols, for they are in stage plays and dramas, hosting or guesting on variety shows, posing in ads and commercials for random products, promoting their music or dramas, or being talked about on celebrity gossip programs virtually all hours of the day and night. Thousands and thousands of girls and women of all ages flock to their plays and concerts and drop money left and right in stores that sell official pictures or paparazzi pictures and goods which bear the faces of their favorite idols. The idols are literally everywhere.

The success of a popular drama often hinges upon the actors in it. While there are very well-liked actors not in Johnny’s Entertainment (JE for short), such as Matsuda Shota and Oguri Shun, many of the most popular dramas have members of JE in lead roles. Oftentimes, the script for a drama is written with a specific singer/actor in mind. The lead actors are most often from the debuted groups of the company (NEWS, KAT-TUN, Kanjani8, Tackey & Tsubasa, Arashi, SMAP, V6, TOKIO, KinKi Kids, Golf & Mike, Shounentai, and the brand new Hey! Say! JUMP), but there are many more Juniors (un-debuted members) who also continue their long climb to fame by taking smaller roles in dramas. Kimura Takuya of SMAP is perhaps the idol most renowned for his acting, having appeared in 28 dramas and a handful of movies.

If there is a member of JE in a drama, there is a pretty good chance that one of their songs will be a theme song for a drama. Sometimes there will be a song during the opening sequence and sponsor list. More commonly, the song will be either an insert song, usually played in the latter half of each episode when there is something dramatic going on, or the closing song. Hana Yori Dango is a good example. One of the most popular dramas in recent years, the lead character is played by Matsumoto Jun of the JE band Arashi. Spanning two seasons, unusual for a Japanese drama, Arashi sings the theme song for each season, with insert songs done by Otsuka Ai and Utada Hikaru, two popular female pop stars.

If a group sings a song for a drama, it often coincides with the release of a new single. As opposed to the American idea of a single which is a single song from an album, a Japanese single is more like an EP, usually containing 2-3 songs and karaoke versions of one or two of them. The trend is that the song will be featured in a commercial for the new drama, then the drama will begin, and a couple of weeks after that, the group’s single will go on sale across the nation.

As mentioned above, the popularity of the idols and the popularity of the dramas go hand in hand. The dramas act as sale-boosting promotional vehicles for the idols; the idols draw in the legions of Japanese fangirls who loyally sit down in front of the T.V. and give the ratings. One excellent example of this is the JE unit Shuuji to Akira. A temporary unit formed to promote the drama Nobuta wo Produce, it was composed of two of the top idols in JE: Kamenashi Kazuya of KAT-TUN, who plays the character Kiritani Shuuji, and Yamashita Tomohisa of NEWS, who plays Kusano Akira. The two idols recorded and single containing three tracks, the theme songs for Nobuta wo Produce, Gokusen, and Dragon Zakura. It sold over a million copies in less than four weeks and became the best selling single of 2005 and the third best selling single of 2006. It was also released in Sweden and entered the Swedish singles chart at #41.

This does not mean that if a member of JE is in a drama, his group automatically does the theme song; still, it happens often, and the male pop star world and the drama world are inextricably linked.

10.07.2007

マイ*ボス マイ*ヒーロー (My Boss, My Hero)

Image copyright Nippon Television Network Corporation

Title: My Boss, My Hero
Genre: School, Comedy
Episodes: 10
Broadcast network: NTV
Completed Airing?: Yes

Sakaki Makio (Nagase Tomoya) is the tough kid on the block. Twenty-seven years old and the eldest son of a Yakuza (essentially the Japanese Mafia) lord, he has earned the nickname "Tornado" for his awesome fighting skills. He is all set to take over the clan, but for one little problem: he isn't very bright. After making an elementary adding mistake that costs the clan tons of money (20+5+5+5 is less than 27), his frustrated father issues an ultimatum: either graduate from high school or he will give leadership of the clan to Makio's younger brother, Mikio. Makio must pose as a 17 yaer-old student, and if anyone discovers his secret, he will be unable to become the Yakuza boss he seemed destined to be.

Yet again, this is one of those so stupid it's funny dramas. Makio sticks out in class like a sore thumb, and though people comment on it sometimes, they accept it. He is bullied at first, only to befriend Sakurakouji Jun (Tegoshi Yuya), an angsty pretty boy, over the matter of winning pudding. That's right, pudding. But not just any pudding; this pudding is very Special, for every day at lunch the entire school holds a race to try and get their hands on one of twelve daily cups and the students literally trample over each other to win. He slowly wins the rest of the class over as well, especially Umemura Hikari (Aragaki Yui of Papa to Musume no Nanokakan), who he develops a crush on to the point that "the little midget in his chest" is making lots of noise. Their math teacher also starts developing something of a schoolgirl crush on Makio, though she doesn't understand why and doesn't even realize it for a long time.

The acting is stupid. It's supposed to be stupid. Makio especially often makes highly comical faces when he thinks, and it's hard not to laugh when you look at them. Many of the situations are so silly that you can't help but laugh: Makio wins his pudding race by tying the school's flag around his shoulders as a cape and leaping off the roof of one building and flying to the next one over (this was how he learned about parabolas); when Sakurakouji eventually decides that something is strange with Makio and takes a surprise visit to Makio's house, alarms go off and all the Yakuza are forced to hide, which involves grabbing the nearest expensive object and crawling into fireplaces, crouching behind staircases, and shooting Sakurakouji with a dart and using that distraction to move around a fake wall.

Of course, there are the cheesy moments, like when the entire class settles their differences and comes together to all participate in the school talent show, or when Makio's secret is revealed when a rival gang comes to threaten him while he's in school, or the little moral lessons that the school nurse imparts upon occasion. Sakurakouji is also more of a girl than I am. But overall, this drama is worth the watch. I laugh out loud whenever I watch it, and between watching it myself and sitting other people down and forcing them to watch it, I've seen it a good four times or so. Because honestly, stupid IS funny.

My Boss, My Hero Official Site

By the way, here is a video of a parody that a comedy show (similar to MadTV/SNL) did of the first time that Makio participates in the race. The scene is almost an exact replica of the scene in the drama... well, minus the Terminator and Jack Sparrow, that is. Also, there are no subtitles, so a rough translation is below.


Bottom right text: Episode One: Pudding Fight
00:12: Today, I'll absolutely get it. That pudding will be mine... today.
01:13: Ah! My pudding!
02:03 Text: The Terminator impersonation
02:18 Text: Pirates of the Caribbean Johnny Depp impersonation
02:18: I'm not Johnny Depp, I'm Johnny Hiromi! (some sort of joke that I get about as much as you do)