12.12.2012

Sticky Post: Review List

Irasshaimase! This blog is designed to provide fast and simple reviews of Japanese dramas (with a few Korean dramas and other random information thrown in) designed to help people looking for something to watch or who don't know if a drama is worth their time or not. I try hard not to be biased in one direction or the other when it comes to my favorite idols. Comments and opinions about the dramas are always welcome - the more info about a drama, the easier it is to decide if you want to watch it or not, after all! ~_^

Dramas:

Cinderella ni Naritai
Full House
Hanazakari no Kimitachi he
Liar Game
My Boss, My Hero
Papa to Musume no Nanokakan
Tatta Hitotsu no Koi
Yukan Club

Other:
Music in Dramas
The Takarazuka Revue


12.03.2007

풀하우스 (Full House)


Title:
Full House
Genre: Comedy, Romance
Episodes: 16
Broadcast network: KBS2
Completed Airing?: Yes

Han Ji Eun (played by Song Hye Gyo) is an aspiring writer who has become famous online because of her romance stories. One day, she is tricked into going to China as the winner of a supposedly free trip by her best friends, and they sell her house and her possessions to pay off their debts. On the plane, she has her first run-in with Lee Young Jae (played by Rain), who is a famous actor. The two have quite a meeting - not only does she pester him throughout the plane ride, she then pukes on him (actually, puking on that shirt is doing the world a favor... too bad she didn't get the pants, too). Han Ji Eun returns from China to find all of her belongings gone and her house empty. Surprise surprise, the one who buys Han Ji Eun's house is none other than Lee Young Jae, who tries to kick her out. Eventually, the two settle on arranging a contract for a fake marriage for the sake of the media, and things snowball from there.

This is one of my favorite dramas. Not only does it have Rain in it (I'll get to him in a minute), this drama is just great. Unlike many other romance dramas, which get bogged down in angst, this one doesn't... at least until the last few episodes. It does get a little bit tedious there, but overall, this drama is certainly worth the watch. It's fun to watch the two lead characters argue, and even if the premise of friends selling Han Ji Eun's house is a little strange and impossible, the drama works well overall. There are numerous funny points, whether it's Han Ji Eun chasing after her two friends (though that's almost as painful to watch as it is funny, because they act way too dramatic) or her doing the infamous "bear dance" for Lee Young Jae's parents.

Of course, what would a drama be without a love triangle? More of a love square, actually, as two other characters come into play and everyone's in love with everyone else in traditional drama style. But Full House manages to make all the drama and angst not so bad, and the comedic parts shine through. It drags on and gets repetitive near the end, but don't let that deter you. Though it's quite a bit longer than most Japanese dramas, spend an hour a night for a couple of weeks watching it. Full House is one of the most popular Korean dramas (the final episode got 40.2% ratings in Seoul) for good reason.

Now, on to Bi (Rain). Picture Usher in your mind, make him Asian, and you have Rain. He is an international pop star with masses of fans all across Asia, and he has even performed in Madison Square Garden. He sings in multiple languages, and he is a large part of the Korean Wave sweeping across Asia and brushing up against the shores of America - he was named as one of Time's "100 Most Influential People" in 2006 and People's "Most Beautiful People." He also beat out Stephen Colbert on Time's online poll of influential people in 2007, and Colbert proceeded to mock and parody him on air.

I can't seem to find the original video of Colbert yelling at Rain for beating him when Colbert made his own Korean pop video, but here's the second time Rain was mentioned on his show (and obviously, this is Stephen Colbert and should be taken with a grain of salt):

たったひとつの恋 (Just One Love)


Title:
Tatta Hitotsu no Koi
Genre: Romance
Episodes: 10
Broadcast network: NTV
Completed Airing?: Yes
Tatta Hitotsu no Koi is a Romeo and Juliet-style romance story set in the port city of Yokohama. Kanzaki Hiroto (played by Kamenashi Kazuya of KAT-TUN) is the poor boy, struggling to support his ailing mother and brother by running a failing ship repair shop he has inherited from his father. One day he meets Tsukioka Nao (played by Ayase Haruka), who is the daughter of a rich jewelry maker. Slowly they fall in love, and the young couple faces multiple obstacles in their relationship, including Tsukioka Nao's family trying to tear them apart.

This drama may not be the worst of the bunch, but it is certainly nowhere near good. It's a typical romance story, the kind that we've all seen millions of times before, and the plot is so predictable it gets annoying waiting for what you know is coming. The acting is not that great, but passable enough for a soap opera. If anything, compared to a lot of dramas where the acting is overblown and overly dramatic, the acting in this drama is the opposite - very low key, lots of soulful looks, etc.

If you're in the mood for a love story like this, it's a good enough way to pass the time. I am oddly partial to the music, and I like some of the side actors (this includes Toda Erika and Hiraoka Yuta). Another member of KAT-TUN, Tanaka Koki, is also in this drama. It's a story in the great tradition of love stories, and like I said, if that's your thing, then you'll probably enjoy it. But don't go into it expecting it to be the most original, wonderfully-acted drama out there.

11.27.2007

有閑倶楽部 (Yukan Club)

Image Copyright Nippon Television Network Corporation

Title: Yukan Club
Genre: School, Comedy
Episodes: 11
Broadcast network: NTV
Completed Airing?: No

The members of the Yukan club are the cool kids on the block. Rich and massively popular, the six of them have a lot of free time on their hands. And what better for high school students to occupy their time than solving crimes? Yes indeed, the six members of the Yukan Club are a tightly-knit crime-solving unit. Though they have a wide variety of personalities (from the girl who hates boys to the narcissistic pretty boy to the typical popular girl to the disciplined martial artist to the tomboy), and do completely outlandish things, they still manage to solve the crime and help others in need.

I will say this right of the bat: this drama is pretty bad. Surprisingly, the ratings reflect this; they aren't hot, despite the fact that arguably the most popular boy in Johnny's Entertainment, Akanishi Jin of KAT-TUN, plays one of the main characters (Shochikubai Miroku). Apparently even the legions of fangirls at KAT-TUN's beck and call won't sit through a drama this bad. The worst part is the acting. The characters are stereotypes that have been taken too far, and even if the actors are doing an okay job at portraying their characters, it just comes off as terrible acting. And, in some cases (Akanishi Jin's, for one), it really IS just bad acting. The situations in the drama are way overblown and overly dramatic, and it's not the kind of thing that pulls you in at all.

There are a couple of cute points to this drama, especially if you're a fan of Akanishi, Junnosuke Taguchi (also of KAT-TUN, and he plays Bido Granmarie), or Yokoyama Yuu (of Kanjani8, who plays Kikumasamune Sanshiro). There are some amusing jokes, and the JE fangirl in me does enjoy watching the JE actors. I've been watching it weekly with a friend, and we enjoy ourselves; however, if you're expecting something good... well, just don't get your hopes up. Even if it might not be the best drama ever, if you know what to expect when you start watching it, it could be amusing.

And although it's not finished, if it makes some magical turnaround in the last few episodes and is suddenly awesome, I'll be sure to make a note. ;)

Yukan club Official Site

11.13.2007

宝塚歌劇団 -- The Takarazuka Revue


The post this time deals not with a drama review like usual, but instead with Japan's one and only all-female acting and singing revue: Takarazuka. While studying abroad, by chance I ended up going to see one of the plays, "Elisabeth," with my roommate and her friend. My roommate's friend was a big Takarazuka fan, and while I only went with them to the convenience store for company while they bought their tickets, I ended up purchasing one as well. I'd heard various things about Takarazuka before, but never really researched it. Odd as the concept of women dressing up and strutting around the stage pretending to be men might be to a lot of Westerners, it really was a treat and I really, really enjoyed it.

The first thing you notice when you get off the Hankyuu train line in the city of Takarazuka are the buildings. Just off the station there is a long road lined with European-style buildings, and if you're there around one of the showtimes, the street, called "Hana no Michi" (Road of Flowers), is full of women headed for the theater complex. The theater itself is large, white, and pretty hard to miss. The inside gleams, and everyone either wanders around looking at the treats for sale in the shops, takes pictures in front of the elaborate costumes on display in the windows of the costume shops, or goes to find their seat. And when I said that Hana no Michi was full of women, I wasn't kidding-- I believe I saw a grand total of five men in the theater that day, all of them with wives or girlfriends.

The fact that it was in a foreign language aside (though I was thanking my lucky stars for the little English summary of the play that was there), the acting and singing were surprisingly very, very good. It was a little odd at first to see a woman singing and speaking in a very low tone, hair slicked back and mustache plastered onto her face, but once I adjusted to it and got into the play, I loved every second of it.

Now, I had been warned about what happens at the end of plays ahead of time, but it was still rather... surprising. For two hours, guests are entertained with a romantic, dramatic play with sweeping music and gorgeously complicated costumes, then all of a sudden, you're transported to Las Vegas. I kid you not, the sparkly stairs come out, the girls line up in big feathery outfits and all start doing the can can. I'm not entirely sure how this particular part of things got started, but it's good for a laugh-- so long as you do it silently.


Takarazuka was started in 1913. Back then, the city of Takarazuka was still small, its main attraction the hot springs. As an attempt to get more customers to come to the springs, the president of Hankyuu Railways pulled together a bunch of young, unmarried girls and had them begin performing in 1914. It officially became Takarazuka Kagekidan in 1940, and the girls split into groups: Hoshi Kumi (Star), Yuki Kumi (Snow), Tsuki Kumi (Moon), and Hana Kumi (Flower), with Sora Kumi (Cosmos) being added in 1998. Every year, each group puts on a play both at Takarazuka and at the Takarazuka theater in Tokyo.

To become a Takarazuka star, girls have to apply to Takarazuka Ongaku Gakkou, or the Takarazuka Music School. It's a very strict school, and out of the many people who apply, only 40 to 50 people are accepted each time. For two years the students learn singing, various forms of dance, and performing. There are around 400 people in the school, aged 15 to 18, and the first year students must learn to properly respect their sempai (upperclassmen). One of the duties of the lowly first years is to clean the school by hand. Once students have gotten past this first year, they are split into male roles and female roles, and the studying continues for quite some time before they are given their shot at lead roles.

There are varying kinds of performances. Famous Western musicals and novels (Elisabeth, West Side Story, Gone With the Wind, A Tale of Two Cities, etc.) are often played out upon the Takarazuka stage, as well as some plays based on Japanese comics (Rose of Versailles, for example). There are also Japanese historical plays.

Seriously, if you are going to be in Osaka any time soon, look into getting tickets. They are pretty cheap: I believe I paid around $50 for mine, and we were in the middle range of seats. Even if you can't understand what they're saying, the singing is wonderful, the costumes are great to look at, and the Las Vegas dance at the end is just plain amusing. I believe there is even an English phone number you can call to purchase tickets... but don't ask me where it is. Still, if you're interested more or have questions, let me know!

Takarazuka Revue English Site

11.05.2007

シンデレラになりたい! (I Want to Become Cinderella!)

Title: Cinderella ni Naritai
Genre: Romance
Episodes: 1
Broadcast network: TBS
Completed Airing?: Yes


"A person can’t change their appearance or shape. Unfortunately, no matter how hard you try, you just can’t change. The kind of face you end up living with is up to fate. And those who get the lucky ticket will have good luck everywhere. They’ll probably be liked by many, and have countless numbers of chances to be loved back. If only I could change…"

Kuramochi Bon (Yasunomi Sano) is ugly. There's just no way around it. All his life he has been tormented and teased because of his face. He spends his life working at a burger joint as the local trash boy, mocked by everyone. All he can do is look at everyone else and wish that he was as pretty as they, a dream he knows is impossible. One day Bon is told to go to the neighboring town for three days and pretend to be the Legendary Man Narumizaka Ken (Ohkura Tadayoshi of Kanjani8) in order to boost lagging sales at one of the company's stores. Narumizaka Ken and Kuramochi Bon could not be farther apart in appearance; Narumizaka is the idol of the burger chain, and women stand in line for two hours just to have him take their order. Bon knows that there is no way he can be the Legendary Man, not with his face. But when a crackpot doctor bribes Bon with a magical potion to keep Bon from reporting him when he runs Bon down with his bike, Bon knows that this is the only chance he'll ever have to be beautiful -- a chance that will last only three short days.

I absolutely adore this drama. It's short, only an hour-long special. I think the fact that it isn't millions of episodes long is part of its charm, though I would have liked it to be a little bit longer, because it is just that cute. When Bon goes to work at the other store, he meets the girl of his dreams and goes with her on a date, though he knows that the clock will strike midnight and soon he will turn back to his ugly, unloved self. Perhaps it's cliche, but Bon is one of those truly good people who is kind to others, whether he's tying a ribbon onto a child's finger to keep him from crying or wading into a river to get a bear for some kids that dropped it, even though the kids grew tired of waiting and left.

I watched this drama once a number of months ago and then again a couple of nights ago, and I loved it both times. I daren't say anything more about why I love it for fear of spoiling the rest, so you'll just have to watch it and see for yourself. All I will say is that, despite its shortness, this is a drama that really connects with people. It's easy to fall in love with Bon and the girl he likes, and, for risk of sounding cheesy, it leaves you with a warm, fuzzy feeling inside.

And yes, the insert song is indeed Sheryl Crow.

Cinderella ni Naritai Official Site

10.22.2007

Music in Dramas

Similar to American dramas, popular music is often used in Japanese dramas, and the music often has a special link to the popular male drama actors: it is often them singing.

Johnny’s Entertainment is the powerhouse behind the popular music market in Japan. Started by Johnny Kitagawa in 1963, it has spent the last four decades churning out boyband after boyband after boyband. While it doesn’t work with female singers at all, the bands produced by Johnny’s consistently top the charts of single and album releases as well as musical DVD sales. It is very nearly impossible to step outside your house in Japan or watch more than a few minutes of T.V. without seeing one of the idols, for they are in stage plays and dramas, hosting or guesting on variety shows, posing in ads and commercials for random products, promoting their music or dramas, or being talked about on celebrity gossip programs virtually all hours of the day and night. Thousands and thousands of girls and women of all ages flock to their plays and concerts and drop money left and right in stores that sell official pictures or paparazzi pictures and goods which bear the faces of their favorite idols. The idols are literally everywhere.

The success of a popular drama often hinges upon the actors in it. While there are very well-liked actors not in Johnny’s Entertainment (JE for short), such as Matsuda Shota and Oguri Shun, many of the most popular dramas have members of JE in lead roles. Oftentimes, the script for a drama is written with a specific singer/actor in mind. The lead actors are most often from the debuted groups of the company (NEWS, KAT-TUN, Kanjani8, Tackey & Tsubasa, Arashi, SMAP, V6, TOKIO, KinKi Kids, Golf & Mike, Shounentai, and the brand new Hey! Say! JUMP), but there are many more Juniors (un-debuted members) who also continue their long climb to fame by taking smaller roles in dramas. Kimura Takuya of SMAP is perhaps the idol most renowned for his acting, having appeared in 28 dramas and a handful of movies.

If there is a member of JE in a drama, there is a pretty good chance that one of their songs will be a theme song for a drama. Sometimes there will be a song during the opening sequence and sponsor list. More commonly, the song will be either an insert song, usually played in the latter half of each episode when there is something dramatic going on, or the closing song. Hana Yori Dango is a good example. One of the most popular dramas in recent years, the lead character is played by Matsumoto Jun of the JE band Arashi. Spanning two seasons, unusual for a Japanese drama, Arashi sings the theme song for each season, with insert songs done by Otsuka Ai and Utada Hikaru, two popular female pop stars.

If a group sings a song for a drama, it often coincides with the release of a new single. As opposed to the American idea of a single which is a single song from an album, a Japanese single is more like an EP, usually containing 2-3 songs and karaoke versions of one or two of them. The trend is that the song will be featured in a commercial for the new drama, then the drama will begin, and a couple of weeks after that, the group’s single will go on sale across the nation.

As mentioned above, the popularity of the idols and the popularity of the dramas go hand in hand. The dramas act as sale-boosting promotional vehicles for the idols; the idols draw in the legions of Japanese fangirls who loyally sit down in front of the T.V. and give the ratings. One excellent example of this is the JE unit Shuuji to Akira. A temporary unit formed to promote the drama Nobuta wo Produce, it was composed of two of the top idols in JE: Kamenashi Kazuya of KAT-TUN, who plays the character Kiritani Shuuji, and Yamashita Tomohisa of NEWS, who plays Kusano Akira. The two idols recorded and single containing three tracks, the theme songs for Nobuta wo Produce, Gokusen, and Dragon Zakura. It sold over a million copies in less than four weeks and became the best selling single of 2005 and the third best selling single of 2006. It was also released in Sweden and entered the Swedish singles chart at #41.

This does not mean that if a member of JE is in a drama, his group automatically does the theme song; still, it happens often, and the male pop star world and the drama world are inextricably linked.